This is an early design by Caroline Siedle, from 1894. It’s often tricky to identify what show an individual costume is from, but earlier shows such as this can be even more difficult to pinpoint; Siedle was not as well known and didn’t get mentioned as often in the programs and reviews.
Until recently I’d been unable to identify where this costume was used, but it does offer up a clue or two. It can be identified as early due to the appearance of her signature; in later drawings her signature changed into a more stylized form, though it was always initials (C.F.) and the last name. I believe the change in style occurred around 1895, but that isn’t a definite date.
At
the lower left on the front is written “Mr. MacDonald for Music
sheets”.
This was intriguing; it seemed to indicate that not only was this a
costume design, but this drawing was selected for use on
the cover of sheet music for the production. It was not
unusual for sheet music to feature a costumed character from a
show, sometimes as a photo and sometimes as a drawing. But it was
unclear if Mr. MacDonald was a character or a performer, and until I
knew the
name of the show I was drawing a blank.
Siedle did have a workspace at the opera house, where her husband Edward became a prop-man in 1891, as well as a studio space in her home. Many of her designs bear the rubber stamp of the Metropolitan Opera, even if they were not drawn for use in their productions. When mentioned in articles, she was often referred to as “Mrs. Siedle of the Metropolitan Opera”.




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